任明炀剧场作品『乐游原+好好好』
Le You Yuan + Bon Bon Bon
A Double Bill of Ren Ming Young
2011北京国际青年戏剧节
2011年9月13-14日19:30,北京朝阳9剧场之TNT剧场
票价:100元、80元、60元 订票链接
演出内容
《乐游原》(1小时)+中场休息(15分钟)+《好好好》(1小时)
剧目梗概
《乐游原》是一出关于寻觅、遗忘、宿命以及梦中之梦的戏。破碎的情节和不合常理的对白,恍如映射在梦境中的现实生活。几个人物之间的关系若即若离、似是而非,令人浮想联翩。剧中最特别的角色当属上世纪八十年代的英雄人物"赖宁",这个在现实世界里真实存在过的人物,却给这个戏增添了几笔浓重的虚幻色彩。剧名"乐游原"是古城西安的一个古地名。一千多年前,唐朝的都城长安是当时世界上最繁华的都市。长安城东南有一片高地,地势开阔、风景秀丽,可以眺望长安全城,是文人墨客、年轻男女登高游赏的好地方,这片高地就叫做"乐游原"。诗人李商隐更是在乐游原上留下了"夕阳无限好,只是近黄昏"的千古绝唱。如今的乐游原已经没有了往昔的风光,它早已被人们遗忘,孤独地矗立在西安市内。该剧借用乐游原和赖宁,制造出了一个独特的符号世界。该剧真诚地呼唤积极求索的人文主义精神,激励人们充满信心地重新燃起理想主义的火炬,去探索广阔的天地、开创壮丽的人生。
《好好好》讲述的是"散戏"之后的意犹未尽,四个演员在一片狼藉的舞台上开始了他们新的旅程。当历史的戏剧落幕之后,我们该如何重建新的演出?
Le You Yuan is a play about seeking and forgetting, also about the fate and dreams within other dreams. Fragmented plots, unusual dialogues and uncertain relationships between the characters make the scenes like real life reflected in dreams. The most uncommon role in this play is Lai Ning who was a hero died at the age of 14 in 1988. He was a real boy once lived in the real world, but makes the play unreal. The name of this play "Le You Yuan" was an ancient plateau in Xi'an. Thousand years ago, ChangAn, today's Xi'an, was the capital of Tang Dynasty, one of the world's most prosperous cities. There was a plateau at the southeast of ChangAn town with open views and beautiful scenery called the plateau of Having Fun(Le You Yuan). Many young people and poets went there for a happy time, such as the famous poet Li Shang-yin who wrote the well-known sentence "Sunset is infinite beauty except impending of dusk" there. But now, Le You Yuan is totally different: has long been a waste land. By using the name of Le You Yuan and Lai Ning, this play had made an extraordinary symbol world that sincerely call the spirit of humanism, inspire people rethink about idealism and go to explore the great world, and to create a magnificent life.
Bon Bon Bon is a performance after another play. Four actors / actress have to start their new journey on a stage in chaos. After the curtain fall of the play of the History, how should we build a whole new performance by ourselves?
导演的话
《乐游原》是我最钟爱的作品,它所蕴含的种种情绪,能让我一次次地沉溺于其中。五位演员就像五件乐器,用或哀婉或激愤的音色,描绘着一个诗人的落寞心境。而《好好好》则是一个"散戏之后的演出"、"废墟之上的演出",它诉诸理性,并主动地揭示剧场艺术的界限,与观众一起探讨"如何重建"的问题。
Le You Yuan is my favorite creation. It contains various emotions that allows me to indulge in it again and again. The five actors/actresses like five musical instruments, with their pathetic or indignant tone, describing a lonely poet's world. And Bon Bon Bon is a play after another play, a performance on ruins. It appeals to reason, and reveals the boundaries of the theater art initiatively, and try to discuss "how to reconstruct" with the audiences.